All hail Kristen Lamb…
I eagerly prepare to attend a class where public flogging is an anticipated event. Weary authors will stand in line, heads hung in despair and maybe a fleeting quiver of hope lodged like vomit bubbling in the back of their throat, humbly bowing before their master, waiting for THE “shredding” Knees quaking, writers will clench between white-knuckled-fingers a two sentence description of their manuscript. Peeping through half-closed lids, fearing the removal of an outstretched hand, we will offer our meager sacrifice stained in hours of coffee slobber and sweat.
How is it that one can be filled with an obnoxious combination of enthusiasm and apprehension at the same time?
Adrenaline has become this, moi, writer’s bubbly, knocking it back as an eager freshman. There is definitely something peculiarly wrong with this picture. I feel as though I am a dark age villager, preparing her lunch to watch the beheading of another crier of the written word, a fellow peer, and friend, standing first row before the hovering guillotine, hoping mid-bite, perhaps, that I shall be the next oblation.
And if called upon, what will I do?
A year and a half ago, I would have shrunk behind the crowds, disappearing into the swarms of rowdy peasants hailing curses and throwing rotten tomatoes. Fast forward to present day, I will be first to watch the spectacle. My glasses pushed high on the bridge of my nose with pencil sharpened, journal wide-open, praying to absorb the ink splatter. And will dance with Gene Kelly as he belts out,“Singing in the Rain,” shouting, “Pick me! Pick me!”
So you ask what is a log-line? I found Gideon’s Tips and he describes it like this …
“LOGLINES are a 1-2 sentence description of your script. They aim to identify the main character, the tone, the conflict and give an idea of theme and plot. Some loglines can stretch out to 3-4 sentences and are more like mini-synopses. A new trend is emerging to describe your film in 25 words or less. Whatever the format, the purpose of the logline is for you to quickly pitch your script to a producer and talent to convey the general concept. Another recent trend in loglines is to pose a hypothetical question such as “what if”? or “imagine if”?
The basic anatomy of a logline is: Character A must achieve a goal, but character B blocks him in a unique way different to other films. Character A emerges a changed person by learning something about themselves or humanity at large.”
Thanks, Gideon! I’ll let you know how it went.
Write On! ❤ Jessica